Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | J.C. Bach's London keyboard sonatas: Style and context. |
diss. |
| | 2003 |
|
|
| 2. | Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. |
diss. |
| | 2003 |
|
|
| 3. | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. |
diss. |
| | 2003 |
|
|
| 4. | The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. |
diss. |
| | 2003 |
|
|
| 5. | J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei |
diss. |
| | 2003 |
103p |
|
| 6. | Untersuchungen zu Johann Michael Bach. Leben und Werk. |
diss. |
| | 2003 |
104p |
|
| 7. | A selected study of three variations by Bach, Beethoven, and Brahms. |
diss. |
| | 2003 |
116p |
|
| 8. | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. |
diss. |
| | 2003 |
133p |
|
| 9. | The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. |
diss. |
| | 2003 |
14p |
|
| 10. | Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. |
diss. |
| | 2003 |
286p |
|
| 11. | Mendelssohn to Mendelsohn; visual case studies of Jewish life in Berlin. |
diss. |
| | 2003 |
326p |
|
| 12. | Measurements and models of musical articulation. |
diss. |
| | 2003 |
32p |
|
| 13. | Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. |
diss. |
| | 2003 |
360p |
|
| 14. | Der Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart. |
diss. |
| | 2003 |
448p |
|
| 15. | Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. |
diss. |
| | 2003 |
659p |
|
| 16. | A comparative analysis of J. S. Bach's three partitas for solo violin. |
diss. |
| | 2003 |
72p |
|
| 17. | De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert. |
diss. |
| | 2003 |
82p |
|
| 18. | J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. |
diss. |
| | 2003 |
ix, 113p |
|
| 19. | J. S. Bach's Changing Conception of the 'Great Eighteen' Chorales. |
diss. |
| | 2003 |
ix, 343p |
|
| 20. | Teaching the Preludes of The WellßTempered Clavier. |
diss. |
| | 2003 |
vii, 85p |
|
| 21. | J. S. Bach's Keyboard Partitas and Their Early Audience. |
diss. |
| | 2003 |
viii, 307 Bl |
|
| 22. | Three cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. Slonimsky. |
diss. |
| | 2003 |
xiii, 105p |
|
| 23. | Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. |
diss. |
| | 2003 |
xv, 384p |
|
| 24. | Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach. |
diss. |
| | 2003 |
xxiv, 148p |
|